Artist, Designer, Traveler, Writer, Photographer

Webs And Threads


The unexpected invitation by The Bureau of Cultural Affairs of Norfolk, Virginia to show a fairly comprehensive selection of work from “The Threads Project” is now on view at the Off Site Gallery in The World Trade Center.  Although I was able to include only about fifty of the nearly two hundred works from that seven-year project, I was able to show some of the major pieces and illustrate some of the ideas and concepts that drove the work over those years.

Dorothy Coakley, of the Bureau, did a wonderful job hanging the show and also found the title, “Threads Of Time”. That title seems entirely appropriate to a project that evolved and developed over nearly a decade.




Lusher_150929_0139 Lusher_150929_0147 Lusher_150929_0014


All photos: Eric Lusher, LusherProductions, Norfolk, Virginia 2015


I am pleased to announce a solo exhibition of work from “The Threads Project (2001-2007)”. “Threads of Time” will open on the evening of Friday, September 18, 2015 at The World Trade Center’s Offsite Gallery in downtown Norfolk, Virginia and continue until October 16.

After showing many of the pieces from this project since its inception in 2001 in juried and solo exhibitions across the United States, I am happy to be able to have a fairly comprehensive selection of pieces on view. Visitors will be able to see approximately sixty of the several hundred works completed over the years 2001-to about 2007. Included will be textile pieces, drawings, works on paper, unique prints and works on paper derived from prints made at Crown Point Press in San Francisco, paintings, and a sculpture.

The blog covers in detail the history of “The Threads Project” and is a good resource for those planning to visit.


The Offsite Gallery is run under the auspices of The City of Norfolk through their Office of Cultural Affairs. It’s temporary gallery space is in The World Trade Center as its usual space was severely damaged by an explosion earlier this year.

This exhibition is a bit of a homecoming as I showed my work long ago in 1980 for the First Anniversary Exhibit in the original damaged gallery, The Selden Gallery in the historic Selden Arcade.

Of course I never imagined then that I would one day return to Norfolk. Some of the pieces in the exhibition have roots going back to that time. The technique of frottage or rubbing began after one of my first trips to Europe, to London, where I made tombstone rubbings at Westminster Cathedral. I enjoyed experimenting with it over time and when “The Threads Project” began several decades later it proved to be one of the important methods in my work.

“Threads of Time”~an appropriate title for a long journey.


This new post comes after a long hiatus indeed. Leaving the West Coast for the East, a long renovation on a new home, all conspired to keep me away from my blog activities.

I’ve returned to Virginia after leaving in 1983 for San Francisco. Norfolk was my home from 1977 to 1983. I am happy to mark my return with an exhibition at The Art Works Gallery, sharing the exhibition with Lawrence (Skip) Hollingsworth, a painter, and Zach McKiernan, an historian who brought the work of a collective of printmakers from Chile.

Poster1      Artist Attachment Art Works

I chose to hang a selection of works from “The Threads Project”, a large body of work which has been extensively documented in this blog. This project marked a great change from the primarily figurative work that I was making in the years I lived in Virginia and has informed the work which evolved and developed since.

The pieces in the exhibition were selected to illustrate important ideas from “The Threads Project” such as pairs and analogies, “lab pieces”, thread drawing, the “stitch-mark”, and using thread as both subject and medium, all of which may be read about in this blog’s Posts and Pages.  Among the works were pieces which have been previously exhibited such as two triptychs, “Three In Red” and “Elements”. Works chosen included paintings, works on paper such as the announcement piece “Pages II (Red)”, and textile pieces.

Also included was “Mind’s Eye”, one of my most recent works. This is a work on paper which is descended from the ideas and relationships in “The Threads Project” that link my fine art to my textile work. I used fluid acrylic in a kind of staining method on paper much in the way that I once used dyes on fabric.

MIND'S EYE 2012 Acrylic/Okawara paper Approx. 35" diameter

Acrylic/Okawara paper
Approx. 35″ diameter





























A BIT OF GOOD NEWS THIS WEEK~”Four Maps For Karibib-Interior” has been selected to be included in the spring exhibition “Mapping” at Northern Illinois University, DeKalb, Illinois. The exhibition will take place March 19 to May 24, 2013.

This piece is one of four in a suite titled “Four Maps For Karibib”. They were created in 2005 on the occasion of an invitation to exhibit for the first international exhibition in the town of Karibib, located a few hours from the capital of Nambia, Windhoek. Nambibia is a sparsely-populated country just west of South Africa. With an land area twice the size of California but with less than two million people, this exhibition was a big event to its citizens. A German colony until the early Twentieth Century, then aligned with South Africa, Namibia is now an independant republic since 1990. It is still a rough and tumble place that attracts people from many countries. Our exhibition was held at a compound in Karibib owned by a Russian ex-pat Leonid Stupenkov. The event was not only an opportunity to show work of artists but a celebration that included bonfires, fireworks, roasted goat, music and dancing. It was truly an international event! In attendance were members of the media, including radio and newspaper, as well as the Russian consul and his wife. Some traveled, I was told, two hundred kilometers to join the festivities.

Four Maps For Karibib-Interior 2005 Acrylic, thread on Okwara paper

I wrote about the exhibition in an earlier Page on Webs And Threads. Here is a partial excerpt:


I received an unexpected email one day in June, 2005, inviting me to exhibit my art in Namibia where a dear old friend, Armand  has lived for many years. We met in Virginia in 1979 as he was ending a long journey across America and Canada. He was about to return home to Nuremberg, Germany to continue his studies in architectural restoration and art.

Although we knew each other just a short time, it seemed like the right thing to do when I accepted his family’s invitation to visit Germany for a Bavarian Christmas and what was to be my first trip to Europe. It was to be one of the most wonderful experiences of my life. We have all stayed in touch since then, in spite of far-flung locations and busy lives.

Armand’s adventurous spirit took him to Africa, where he finally settled in Namibia in the small town of Karibib. There he has worked as a sculptor as well as created amazing mosaics and stonework. Although the digital age means that we now stay in touch more often, the email invitation came out of the blue!. After all the years of thinking about a visit to Africa, the time was right!

There were only a few weeks to prepare my work for the exhibition. I came up with the idea of folded works on paper when I noticed a folded map of California. This turned out to be the ideal solution to transporting art more than eleven thousand miles.

I simply folded the suite of four “Maps For Karibib” and put them into the zippered side pocket of my luggage. On arrival and the installation of our work, Armand strung a stainless steel wire in the stone building where our work was located. I use stainless steel spring clips to hang them like laundry. The beautiful Okawara paper did resemble fabric and visitors enjoyed walking around to see both sides of the four works.

The four works utilize the triangular “the stitch-mark” motif first developed as part of   THE THREADS PROJECT.


EVERY BLOG WRITER HOPES TO FIND MANY READERS. Those who take the time to write a comment or click to show that they “Like” the contents of the blog give a small look into the unknown people who are readers.

But for the most part blog posts and pages are sent out into the blogosphere to invisible readers for whom we as writers hope to provide content that is appreciated and valued. For me as an artist, my blog, Webs And Threads, offers the opportunity to share the process of making art with other artists, art-lovers, collectors, and institutions.

For those artists who are finding their way, at whatever stage of their career, I hope that my ideas and challenges are informative. For those interested in my new and ongoing work and the development of my work over decades, I hope the Posts and Pages provide a bigger picture of the processes, ideas, and results of my efforts.

To all readers, in every country, thank you for taking the time to read Webs And Threads. I especially appreciate those readers for whom English is not their native language.

I am truly astonished at the power of the internet to send blogs to every corner of the world!

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